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MapRef41N93W

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About MapRef41N93W

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    Seattle Yannigan

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  1. It might not be that hard to figure out. He posted his retirement tweet on January 27th of this year, and he says it was prompted by something he saw the night before, that he then watched on Youtube a bunch of times immediately after. So it was almost certainly something on NXT Takeover: Phoenix, which took place on January 26th. But I don't know what he found so upsetting on that show.
  2. I'm categorically against all worked-shoot stuff, so I didn't like those parts of Jericho's segment either. But I did like the rest. (Was it just me, or did he accidentally refer to Jake Hager as "the most terrified man" at one point?)
  3. Running a Twitter account dedicated to cataloging and griping about things Dave Meltzer says has got to be one of the dorkiest hobbies around. And yes I realize I'm saying that in a post on a pro wrestling messageboard.
  4. This is great, especially the penalty kick. It also reminds of something I've been thinking about for a while. We all know the reason no wrestling promotion has ever instituted some kind of instant replay system is because promoters want heels to be able to get away with flagrant cheating. It's a cornerstone of pro wrestling storytelling that most promotions, certainly in North America, would be hamstrung without. For the same reason, promotions have very rarely run storylines in which referee decisions have been overturned because blatant cheating was caught on tape. We're all completely used to this. It makes some sense, within the fiction of pro wrestling, for all referee decisions to be treated as final for matches that aren't taped. That would cover virtually all matches before the 1950s, and many matches in subsequent decades, arguably up to the present (though smartphones complicate that a bit). But the vast majority of those matches in the post-TV era would be at small low-budget shows. And yet the practice persists even in WWE, the biggest and most extensively-documented promotion ever. So, for as much as Vince McMahon talks about taking wrestling out of the carnivals and smoke-filled VFW halls, he remains completely reliant on a storytelling trope that hasn't made much sense outside of a carnival or VFW hall in over 50 years. I say that with one big caveat: it actually makes perfect sense if you assume that in kayfabe, the promotion wants the heels to get away with cheating all the time. I think this is one reason that the idea of the heel authority figure caught on the way it did, and why it's had so much staying power. The audience is already disposed to be resentful of a wrestling promotion that sits back and lets their heroes get screwed over and over again. The heel authority figure just makes this dynamic explicit. It's intuitive. I sometimes think about what it would be like if a promotion went completely the other way. I don't just mean having no outside interference and mostly clean finishes, since that's been done, especially in Japan. I'm talking about having matches overturned because of cheating caught on video, having a second ref at ringside who comes in immediately when the first gets knocked out, stuff like that. Dealing with classic pro wrestling situations in a more realistic way. It might be interesting to see what new ideas people come up with within those restrictions. But it'll never happen.
  5. It occurs to me that one ironic effect of the ongoing death of kayfabe is that, in at least one respect, it makes pro wrestling MORE like real sports, not less. Real sports generally don't have competitors that are good guys or bad guys to the audience in general (though I'm sure there are notable exceptions); typically there are various competitors that different people like for various more or less arbitrary reasons, so that a player or team can be the hero to one part of the audience the villain to another. People get excited by storylines and rivalries, but they don't need them to have a clear good guy/bad guy dynamic. That can help, especially in combat sports, but it's not necessary. So, ironically, pro wrestling moving away from even pretending to be legit made the relationship between the performers and the audience more like what you find in real sports. The problem is that for this to work as mass entertainment, you need a large core of fans who just like the competition itself, and will happily watch it even when they're not all that invested in the outcome. And because most of what happens on a pro wrestling show is heavily stylized fake fighting with all kinds of goofy conventions, it's an extremely dorky thing to like. That severely limits how big that crucial core of fans can be. So pro wrestling is destined to be a thoroughly niche thing from now on (for this among other reasons everybody here already knows about).
  6. My main thought after the AEW shows so far: who thought it was a good idea to have a grey ring canvas? It looks so shabby. No one looks good wrestling on that thing. Come to think of it, the visual/design aspect of the shows has been pretty bad in general. They've managed to make everything look and feel simultaneously gaudy and drab. Like HarryArchieGus said about the music:
  7. Man that video is poorly written. I guess there are people who get excited when a wrestling company goes that wild with self-aggrandizement but I absolutely don't get it.
  8. Hold up--why would someone book Misawa and Ogawa and not promote their appearance? I don't doubt that it happened, but that's crazy.
  9. I admit, the Janela promo was the clearest example, and my reaction to the stuff afterward was probably colored by my reaction to that. And it's true, you can find terms like "good hand" and references to athletes expressing themselves or wanting to be exciting in real sports. But in pro wrestling (as everyone here knows), "good hand" refers to a performer who has a talent for making others look good by losing to them in worked matches, and wrestlers almost always talk about self-expression and so on when speaking out of character. So yes, I can accommodate everything said by or about Spears and Allin in that video within kayfabe, but I have to pause for a moment to remind myself how, because the most natural interpretations are non-kayfabe ones. That's the strain I was talking about.
  10. There's so much stuff in this video that you have to strain to make sense of in kayfabe. Joey Janela talking about WWE promos being written by 24-year-olds from NYU; Cody calling Shawn Spears a "good hand"; even Darby Allin saying he was attracted to wrestling as a way of expressing himself and saying his goal is to be accepted by the audience, which makes perfect sense if he's talking about a kind of performance art and much less if he's talking about fighting. I seem to out of step with most wrestling fans on this. The idea seems to be that since everyone knows wrestling is fake, the way to make it seem real is to acknowledge that it's fake while also hyping the matches as though they're real, within the same promo and sometimes within the same sentence. Or something. Jericho did it in his post-match promo at Double or Nothing: first he called the fans marks, then he said he only beat Omega by the skin of his teeth. To me that sort of thing interferes with suspension of disbelief, but I'm clearly swimming against the current here.
  11. I have the same confusion about this guy. While I'm at it: I don't yet understand why Britt Baker incorporates her real-life job as a dentist into her wrestling character. It doesn't seem to amount to much beyond some imagery on her gear and entrance video. I could see it being a heel thing where she acts very superior because she's a DOCTOR, but I don't remember anything All In or Double or Nothing that suggested she would be going in that direction.
  12. EDIT: At last, my first ever double post. Never thought I'd see the day.
  13. I don't think I've ever seen a non-WWE show that didn't have this problem. It's like WWE has some secret proprietary method for actually making entrance music come through clearly. Very weird.
  14. If their only grievance with WWE is that they don't get to be tag team champions often enough or for long enough, then sure, that seems silly. But the story wasn't specific about what their problem is--it only suggested that whatever it is, it persisted even after being made champions. I would bet that it has less to do with the tag titles specifically and more to do with wanting to be given positions on the show commensurate with their abilities. For a tag team as good as theirs, that probably would involve the tag titles, but they could also have the tag titles and still be unsatisfied. And that does seem to be what happened. But admittedly I am speculating.
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