Lamp, broken circa 1988

I was there. 100+ degree weather in a mosh pit, ended up crawling out because I took an elbow to the sternum during Lord of the Game.

Playing hell of games out here. Dang. Bought and played about an hour of HAMMERWATCH, which I need to get a full four together to play. Gauntlet as hell, although I guess not really since only one character is ranged. Still: fun. Beat SAINTS ROW IV. Here's my take: Saints Row IV is a bad game with a story that is good to exact-middle-between-good-and-bad. It's never bad, but it's never good enough to justify playing through shit. I am sure some people are going to tell me how much fun they're having right now, in the early parts of the game. Get back to me after another ten hours with the combat. Ooh, or when you get to the last phase of the last mission! Heart breaking. DIVEKICK, which is the best game that came out this week. Beautifully minimal gameplay design combined with beautifully stupid writing. If you're up on Fighting Game Community memes, it's funny. If you're not, it's funny but through absurdity. No one is fucking with my Markman right now. And I just now finished GONE HOME, which is the other game that broke my heart this week, but this one did it en route to being amazing. Incredibly difficult to recommend since I don't see a lot of an "art game" crowd on here, but if you want a total change of pace, Gone Home's pretty good. EDIT: Oh, shit! I almost forgot PAPERS PLEASE which has done in my head in a few ways. First through playing it, then through listening to my friends talk about it, and last through seeing the internet talk about it. I used to think that people would not be so ready to act as cogs for an oppressing machine. Turns out I am dead fucking wrong.

ha ha just realized I put this in here i should really stop burning so much midnight oil

It's been like two days and someone just now told me that I forgot to actually put the album on sale, so, thanks for your support.

This isn't random, or a thought, but I sure as hell don't want to start a new thread for it. My new album is out today, and it requires a little bit of explanation about how to approach it. Basically, the center of the record is your decision. I've created three "courses" with different themes to place in the middle of the record. To keep from suggesting an order on the bandcamp page, the tracks for these courses are in two places: most of them are included as bonus tracks, but to help find out what course you might be interested, I released a free Starter Kit. You'll want to have both the starter kit and the album to get the most out of what I've made. Don't worry, though: the album's $1 minimum. Not interested in fleecing people, just interested in trying something. There are more details on the first track of the starter kit about what each course entails. So, click the respective covers to get to the music.

As I may have said somewhere on here, I make music entirely by myself- writing, recording, mixing, mastering, even the artwork. So here's my good news: I set a date for my next album months ago, and I've made that date (which happens to be next tuesday). War me, I suppose.

EDIT: if you insist on songs in here having words/not being made by machines brutalizing sounds, here http://youtu.be/SugldYwpwvI

Papers Please is out in two days. About a week after I am probably going to be yelling about it. This is only a test of the "god, shut up" broadcast system.

"The Times They Are a-Changin'" Rap Edition Run The Jewels clipping. Njena Redd Foxx & Zebra Fucking Katz Riff Raff & Kitty Milo Antwon Angel Haze

Beat Monaco with a full group, which is currently the most fun I've had with a video game this year. The ending is PERFECT.

Wire at the peak of their early strength between Chairs Missing and 154. Setlist:

Here's my shout out to KEXP, the Seattle radio station that does a whole bunch of in-studio performances and tapes a lot of them. Probably my favorite video on youtube. Setlist: They actually ended up releasing this as a live EP. Setlist:

The Diet is a Calgary band (formerly Manchild) that opened for Women when I saw them back in 2010. Back then they had a lot of good ideas, now they have polish, and they're about to put out a dang album which you can hear here.

they'll slap you on the face with their glove they'll dip you in the pitcher of their bloodshot love look at 'em, standing staid in their ridiculous robes while i stand in your moat have you ever thought that all their distain was just a saucer eyed child shrinking from the food chain? all their disapproving good friday fixed grins were effortlessly wrong about most everything time where i'm from lumbers on the guilty ain't got no idea that they're time will come they're sinners, they're saints and they state which in boasts you can stand in their moat i can stand in your moat i can stand i can stand in your moat i can stand in your moat they're ranting and raving, how bad can things get man the sideshow's always louder than the main event more ambitious than a virgin newly widowed duty bound as a tourist in Rome the prosecution's trembling and the padre's backpedaling but a rest just seems more likely than a stint while back at Free Market Mint the atom smashers warp the press but can't confess to anyone downwind 'cause they're sleepwalking tall, rich or poor from silk broadsheets down to tabloid floors and they'll be up in their keep making toasts to some creep while i'm stripping down to my smalls i can stand in your moat i can stand i can stand in your moat i can stand in your moat new research proves that it's fair to see insults as nothing but snares history has shown life is short then you die i'm arse deep in their moat once i find the time it's cold on the outside they say but the cold keeps you clear while the heat leaves a haze they should take a cool dip in the shade of their walls with the lily pads tickling their face bad good luck caught them unaware there ain't no immortality there yet i squint from my lunch to the metal screech and sun of the street and i'm lighter than air i can stand in your moat i can stand i can stand in your moat i can stand in your moat nothing needs reforming more than anyone else they'll tell you while they conjure your plight all of them old men just line their pockets with fear then make you greedy when your money gets tight but if their brains were a gut it'd sound like a swamp being so starved and bereft of a song and when the quick fox of reason gets into their brunch thou doth protest way too fucking much don't let 'em abuse you, don't let 'em use you like a saddle for their high high horse if life means more to you than a grave with a view then it probably means you're on course and you know you can stand you can stand in their moat i can stand in your moat i can stand i can stand in your moat i can stand in your moat

Well, on one hand, dropping a game people wanted to play sucks. On the other hand, if something you do causes the amount of stress that existing on the internet and having opinions has caused Phil Fish, I think it's totally your right to walk away and do something. Life is too valuable for that shit to rule your life. On a Cronenberg-ish horrible third hand, the tone of discussion over video games has been toxic for years, and if this is the thing that causes people to start re-evaluating that, my heart is going to hurt for all of the people that got battered with profiles too low for anyone to write news stories.

I am choosing to engage in sharing instead of screaming in despair. ALBUMS & MIXTAPES 10. "Cavalcade" by Milo - For anyone who points to this being a "weak year" for rap, I try to point them to the the three releases Milo has put out. The two EPs "things that happen at day" and "things that happen at night" are interesting companion pieces, but Cavalcade is just straight devestating and singular in a way closer to his debut album "I wish my brother rob was here." 9. "Void" by (the motherfucking) Destruction Unit - Yep. I still tend to just put this album on repeat for hours at a time, and let it fill the rest of my life. 8. "In Dark Denim" by Antwon - Antwon is your master of ceremonies sort of MC. "In Dark Denim" is enormous and colorful, celebrating the joy and frustrations of margin life with big beat after big beat. We'll get back to Antwon. 7. "The Stand-In" by Caitlin Rose - Probably the purest "album" on my list, in that "The Stand-In" feels like a dozen pages in a growing, impressive songbook, which is everything it aspires to be. 6. "Summer Knights" by Joey Bada$$ - Milo's the heady sort of rapper, Antwon is the big party rapper, and Joey's right in between there. The difference between this tape and 1999 (aside from his voice breaking) is that the lyricism is now on the same level with his heavy swerving flow. 5. "I See Seaweed" by The Drones - These next two records go out to anyone who's still only about rock music in 2013, because I haven't seen either posted here. The Drones move in this epic, self-destructive blues sound, with some truly ingenious composition mixed in with a desperate lyricist and singer. All you really need to do is just hear the title track, and you'll understand. 4. "Silence Yourself" by Savages - This record's gotten a pretty good amount of press attention, so it's paradoxically one of the most well-known albums on my top ten. For good fuckin' reason, tho: Savages are the wide-eyed badasses rock's been pretending to be for years, from such an exacting angle it feels like they've been a part of the canon forever. More valuably, they're a prominent and loud voice emerging right as conversations about sexism have re-ignited throughout culture. 3. "DRKLNG" by Zebra Katz - I am trying to think of a way to pitch this album other than "it's what yeezus wants to be." ... So the other rap I've mentioned has been about flow and lyrical skill and things like this. Zebra Katz instead trades in establishing atmosphere and aesthetic. Minimal, dark, lurid club/runway bangers. The difference is that Zebra Katz, who's come from the NYC Ballroom scene, weaves his way around the fucking embarrassing "tough guy" shit rap obsesses over, making a mockery of it with grace and a smirk. 2. "The Terror" by The Flaming Lips - This is my favorite album of the year so far, but not the best album of the year so far. I've never done more with a Flaming Lips record than "respect from afar," because their sound and outlook is, well, from an older generation than me. I'm a little under half Wayne Coyne's age. On "The Terror," Flaming Lips finally bridge the gap between their island and my life, like this- I was raised christian, and I'm not anymore. This album sounds like my fight with the existence of god. It's powered with the same words and hollow hope, teary eyes watching over the impossible beauty of everything I will never see again. It even ends with a frenzied gulp and an honest attempt to say "okay" and have that word sit in place of the walls torn down by the introspection. I could go on about this record for hours. 1. "Innocence is Kinky" by Jenny Hval - As mentioned, I think this is the unrivaled album of the year. I don't listen to it as much as the others, because it commands attention to make sense and I don't always have time for that. HOWEVER. What it gives back in return for attention is an album unlike anything else being made. Here, I'll just linkdump and let her explain. On touring 2011's "Viscera" (basically folk music singing a body horror movie script) and her first sound installation work of 2012 Her second sound installation of 2012, which establishes major thematic pieces of the album Reflecting on her installations and talking directly about the record The full album on youtube SONGS 10. "The Sound Of Law" by Daughn Gibson - This is kind of the perfect transition piece from All Hell to this current moment: "Me Moan" is all together bigger, and so the first song/single is this enormous machine. 9. "Kingston" by Mesita - Mesita has been putting out a lot of wild electronic music this year, and I think Kingston is the strongest song from those. It's kind of insane that the guy behind my favorite guitar pop music last year has totally shed all of that and is still utterly brilliant. 8. "Dream House" by Deafheaven - For all of the black metal stuff that gets thrown onto Deafheaven, this song feels more to me like the middle ground between the giant krautrock phase of Boredoms and Converge. 7. "Electric" by The Men - I am kind of a fan of The Men, and Electric is pretty close to being the thesis of everything they're doing. 6. "Y I DO" by Zebra Katz - Zebra Katz taking three minutes to slay every hook rapper. 5. "Retrograde" by James Blake - This song was stuck in my head from February to June. I still slip into singing it every now and then, just to see what it sounds like in the room I'm in. 4. "post hoc ergo procter hoc (for Schopenhauer)" by Milo - 1) This fucking beat 2) Milo striking a perfect balance between his nerdy and philosophical sides 3) THIS FUCKING BEAT 3. "I See Seaweed" by The Drones - Like I said above, just check out this song if you want to know what this record is. 2. "3rd World Grrl" by Antwon - In the days of some wack ass love raps, 3rd World Grrl is the light in my sky breaking through the stormclouds. 2:25 of joy. 1. "Hair Receding" by Xenia Rubinos - Overdriven hypergorgeous titanic balladry. I want to open my mouth and have songs like this come out.

MERCENARY KINGS (early access) What if Metal Slug was also Phantasy Star Online? Well, then it'd be fucking awesome. Mercenary Kings is a four player sidescrolling "dungeon" crawler, with completely customizable and crafted weapons (as in, each part of the gun will contribute different stats to the complete gun) and currently around 60 missions. Again, it's an early access thing, like the Minecraft beta, so it's occasionally buggy and it doesn't have the full suite of content yet, but I've been having a fucking blast with it so far.

ITTLE DEW. It's a puzzle dungeon thing that reads like I wrote it. It is that much my kind of humor. EDIT: PLEASE NOTE there is currently a severe issue with using 360 controllers. I'll give a more drawn out "you should play this" pitch when that gets fixed.

Total Expenditure: $63.80 Two gift copies of Saints Row The Third, $10 Two gift copies of Hotline Miami, $10 One gift copy of Dark Souls, $7.50 FTL, $2.50 System Shock 2, $2.50 Reus, $5 Evoland, $5 Monaco, $7.50 Kerbal Space Program, $13.80

As someone who's logged over 110 hours* into Civ5, allow me to help! Civ5 is probably the best place to start at this point. It is, aside from the 360 version, the closest they've come to sitting down and explaining what the hell. And I don't know if you need the new expansion (have only finished one game so far, not sure how to feel about it) but the Gold Edition package is worth having, on account of including all of the DLC civs they put out as well as the Gods & Kings Expansion, which fixes every deficit in Vanilla Civ5. And it's like $12.50 right now. So do that, and then if you're way into it, get Brave New World. *I play it while I listen to podcasts, if I'm not doing some kind of labor.

Two options: -$15 upgrades to Ultra from wherever you are in the chain -$40 retail with all previously released skins and the first wave of skins for the new characters.

Ryan Rousseau, Destruction Unit

THE MOTHERFUCKING DESTRUCTION UNIT STRIKES BACK: "Deep Trip" out August 20th on Sacred Bones Records. Here's tour dates.

Wow, the quote thing is weird now. Yeah, there is. Well, in so far as that when I had my 360 controller plugged in, it remapped everything immediately. I don't even know what people do with controls that aren't the wired 360 control.

My older brother asked me about playing XCOM. I told him that I still vividly remember the death of my best Assault. That was eight months ago. Anyways, here's the two games I've been playing. Civ5 Brave New World: Kind of not feeling it. The rework of the culture victory isn't clearly explained, and the other changes are neat but don't feel like the kind of thing you pay for, as opposed to everything they changed in Gods & Kings, which felt like putting in the other half of a good game. I bought it because I want to make sure I did what I could to keep 2K from ever killing Civ, but I wish I got more for what I paid. ROUGE LEGACY: Game of the year, not even close right now. This game is Castlevania randomly generated, and every time you went into the castle you had a different class and different buffs/debuffs. It's brilliant and absolutely brutal.