ohtani's jacket

Pirata Morgan, Hombre Bala y Verdugo vs. Atlantis, Angel Azteca y Ringo Mendoza (3/88) This marks the first appearance on the set of Angel Azteca, who would go on to play a prominent role in EMLL's booking during 1989 and 1990. Azteca, whose real name was Juan Manuel Zuniga, began his career in 1980 under the ring name of El Charro and later Charro de Jalisco, a gimmick he would later recreate in AAA when Pena went through a phase of repackaging everyone. He was from the Durango region of the Comarca Lagunera area and was an "El luchador lagunero" the same as Blue Panther and many others. In fact, Panther and Azteca shared a common maestro in Hector Lopez. Like most luchadores, he started out on the independent scene claiming regional titles such as the Laguna Lightweight Title and the Arena Victoria Tag Team Titles. He rose through the ranks and took the Mexican National Cruiserweight Title in 1986 as Charro de Jalisco, a championship which was created in 1983 as the national equivalent of the overseas junior heavyweight titles, but which petered out for some unknown reason. At some point in the mid to late 80s (I hesitate to guess at the timeline), Zuniga adopted the Angel Azteca persona, a gimmick which brought him tremendous success in the short term. I'm not sure when he began working for CMLL full time, but it looks to have been sometime in 1987. In 1988 they began pairing him with Atlantis and he received the "Mogur push" racing straight up the card. On March 6th, Atlantis and Azteca won the Mexican National Tag Team Championship from Los Infernales MS-1 and Masakre. On February 26, 1989 Ángel Azteca became a double champion when he defeated Bestia Salvaje for the Mexican National Welterweight Championship. Two months later he became a triple champion when he defeated Emilio Charles, Jr. to win the NWA World Middleweight Championship. One can only assume the booker behind this was Juan Herrera as "Angel Azteca" wasn't a Pena style gimmick and Zuniga had more in common with the Velasco trained wrestlers that Herrera preferred to push than the talent Pena advocated. In fact, as I mentioned earlier, Pena would end up repackaging Azteca in the short lived Los Folkloricos trio; a decision which Solar agonised over as it meant they couldn't return to their existing gimmicks in AAA if the trio failed. We'll have plenty more to say about Azteca before the set is over, but sadly he is no longer with us. He died in 2007 of a sudden heart attack shortly after competing in the main event of a small show in Campeche, leaving behind a wife and five children. Verdugo, Spanish for executioner, was the real life brother of Morgan and Bala and stepped into the Los Bucaneros when Jerry Estrada broke off to reinvent himself as the Jerry Estrada we know today. Verdugo's run with his brothers was unarguably the highlight of his career and like Bala he slipped into a journeyman role once the Los Infernales were reformed with Morgan, though he was a worth scalp for wrestlers they were trying to milk something out of like Mogur or Huracán Sevilla, and a lot of fun as Troglodita.

I love this decade way too much.

Probably my two favourite tracks of the 80s: Another great video:

My point was that there are guys in lucha who wind up as physical wrecks. I don't know if wrestling or the wrestling lifestyle contributed to Emilio or Bestia's health problems, but they weren't in fantastic shape before they got sick. A lot of retired luchadores aren't in fantastic shape either, and there are plenty of broken down guys still working in Mexico. The deaths may be coincidental, but the physical effects are noticeable.

Maybe, but look what happened to the big bumpers from the 80s like Pirata Morgan, Emilio Charles Jr., and La Fiera. A lot of that generation have died young -- Bestia, Texano, Azteca, Emilio.

Kung Fu vs. Javier Cruz (3/88) Kung Fu, you'll remember, was a guy who got over in the 70s doing a kung fu gimmick and became a star with "Los Coliseinos" (EMLL), then jumped to the UWA and worked the independents for a decade before returning to EMLL and getting a nice little push as a middleweight. In fact, he got a nice little push right up until '91 or so, even after Atlantis had unmasked him. Here he was the reigning NWA World Middleweight Champion having regained the title from Dandy on 10/7/87. Cubsfan has a record of a 2/19 Arena Coliseo title defence against Cruz, but it's not this bout. This appears to be a mano a mano that happened at some point either before or after the title bout.

Luchadores generally have longer careers, but they wind up injured and in poor health the same as other wrestlers. The majority of them have to keep working to support their families and wrestle until they're no longer able-bodied. They quite often require surgery which they can't afford, and it's not uncommon to hear about benefit shows for the older workers.

Results!!!

South American? I think you mean Southern Hemisphere.

Arandu vs. Guerrero Negro (Hair vs. Hair) (1988) This is a hair match from Arena Coliseo de Monterrey in 1988. Guerrero Negro you'll be familiar with from his work with Los Bravos. I think I mentioned earlier that he returned to the Coahuila region after the '85 earthquake, but that doesn't appear to be the case as he worked in the Federal District up until 1993 and was rumoured to have been doing the La Avispa gimmick in AAA after that. Arandu was a Monterrey regular who was based in Eagle Pass, Texas just across the border from his hometown of Piedras Negras, Coahuila. In the States, he worked for Joe Blanchard's Southwest Championship Wrestling and was a main stay at Arena Valadez where he and his tag partner El Horoscopo headlined shows and trained new wrestlers. He also worked extensively in Southern California and throughout the lucha independent circuit. His main selling point was his hair, which drew strong reactions from crowds and allowed local promoters to book him in apuesta feuds wherever he went He originally wrestled under a mask as Principe Aries before losing it to Jorge Reyes (I believe) in 1981. He then adopted the Arandu gimmick based on the 1970s comic book, Arandú, El Príncipe de la Selva. Arandu's luchas de apuestas record is not well documented, but he had a notable match with Kato Kung Lee in Monterrey in September of 1990 and a hair vs. mask match with La Parka in '95. He still wrestles today in Baja California and has three kids in the business. I believe that Arandu's valet's name was Layla and that she was an American.

This is obviously and quite painfully (for me) wrong -- El Dandy, Magico y Super Astro vs. Gran Cochise, Javier Cruz y Javier Rocca (11/11/87)

Okay, let's try this again... El Dandy, Magico y Super Astro vs. Gran Cochise, Javier Cruz y Javier Rocca (11/11/87) -- Take 2 'Magico', or Mascara Sagrada as we know him, began his wrestling career in the city of Texcoco about 25 km northeast of Mexico City. Originally known as Hecatombe, his professional debut came in September 1978 and from there he began working as a preliminarista in the local area. Rookie of the Year honours soon followed and with them a title match victory over Mando Amezcua for the Texcoco Welterweight Title and a first hair win against Impala. This was enough to get him noticed by promoter Raul Reyes, who owned a few arenas on the outskirts of the Federal District, the so-called "Kings circuit' made up of the Azteca, Xochimilco, Apatlaco, and Puente Negro arenas. Sagrada worked the circuit from 1980-82 and it was during this time that he first met Antonio Pena. Pena was doing his Kahoz gimmick at the time, a type of horror act where he'd invoke dark spirits and bite the heads off live pigeons, smearing fake blood over himself and his opponent. The two became friends and it was this friendship which would play a pivotal role in Sagrada's national break through. In 1983, Sagrada began wrestling at Arena Naucalpan where he continued to have success taking the masks of some of the local talent and defeating Villano IV for the Naucalpan Middleweight Title. Over the next few years, he worked in the smaller arenas around the Federal District such as Arena Naucalpan, Arena Neza, Pista Arena Revolucion and Plaza de Toros el Cortijo. He may or may not have worked for EMLL during this time, but not in any major capacity. It was after a lengthy stint in Ciudad Juarez that Sagrada returned to Mexico City somewhat frustrated with how his career was progressing and fed up with how promoters like Marco Moreno were treating him. Pena had been forced to retire by this point and was working as an assistant in the EMLL programming department thanks to an old friendship with EMLL treasurer Juan Herrera. It was a minor office role, but it allowed Pena to channel his passion for lucha libre into coming up with new character ideas. Pena and Sagrada got together in the summer of '88 and began working on a new character for Hecatombe. That character became "Magico" and made its debut at Arena Coliseo de Guadalajara on 10/22/88 in the trios match I mentioned. From there, the rest of the story I told is accurate. It simply happened in a shorter time frame than I would've had you believe. After the Monterrey wrestler claimed the rights to the name, there was apparently a contest among the public to "name the nameless fighter," and Mascara Sagrada was chosen from the entries. When Paco was shown the character sketches which Paco had drawn for Octagon and Mascara Sagrada, he promoted him to director of programming and public relations. This upset the established hierarchy and eventually led to Pena making a secret deal with Televisa to start his own promotion. Sagrada followed Pena to AAA, but the two had a messy falling out when Sagrada discovered that Televisa were receiving royalties for merchandise bearing his likeness. Sagrada was ineligible for royalty payments as Pena had signed away the rights to the gimmick, and this along with other payments Pena was withholding from wrestlers (such as Japanese broadcasting rights) led to Sagrada quitting. AAA quickly put another wrestler in the costume and claimed that the original Sagrada had no rights to the name. The issue went through the courts and was finally settled in Sagrada's favour in 2005, but by then it had taken a decent chunk out of his later earning years. As for the state of Dandy's hair, it does appear that Dandy and Satanico began feuding at the end of '87, but their first hair match was on 4/8/88 and the return hair match was on 10/21/88. Satanico lost the first match and Dandy the second, which places this match some time after Magico's debut and the second Dandy/Satanico hair match. My apologies for the confusion. The clues were there, but I was working with a series of bad dates which I tried to make work. My thanks to the poster Gregor for providing the catalyst for the re-check. Much appreciated.

I decided to watch this to see whether I agreed with your criticisms and was surprised to see it only ran 23:34 not 30 mins like you made out. The stretch run had a lot of nearfalls and finisher attempts, but that's Japanese wrestling for you. It was pretty obvious that the back drop won the match because Misawa had knocked Kawada out with the rolling elbow and release German and also taken Taue out of the equation with his elbow from the apron. Kawada did an absolutely beautiful job selling his dead weight on the back drop. It was the biggest win of Kobashi's career to date, but I can see how it might not come across that way without him delivering the killer blow. I'm far removed from thinking these are the best matches of all time, but I don't think this one needed to be shorter. Japanese crowds love seeing guys fight when they're taking a beating and the style is very much about taking a beating and continuing to fight. If you're going to keep watching Japanese stuff you need to be prepared for a higher number of moves and denser matches because pretty much every promotion is like that.

This is all messed up. Satanico and Dandy had hair matches on 4/8/88 and 10/21/88. I now strongly suspect that Sagrada made his debut as Magico in 10/88 and that this match is from some time after the 10/21 Dandy/Satanico hair match. I'll try to re-write this entry tomorrow.

El Dandy, Magico y Super Astro vs. Gran Cochise, Javier Cruz y Javier Rocca (11/11/87) The first thing you'll notice about this match is Dandy's buzz cut. It took me an age to figure out that Dandy had lost his hair to El Satanico because of an edit on Luchawiki that changed a 10/87 Satanico win into a 4/88 Dandy win. Dandy and Satanico were tag partners for a good part of the '87 season, but at some point in October they had the type of falling out that's typical between rudos and began fighting with one another. This turned Dandy face and the match we have here is technicos contra technicos. Gran Cochisse also turned technico around this time, but I don't have any details about the wheres and whys. Dandy didn't just lose his hair in October of '87. He also lost the NWA World Middleweight title to Kung Fu, albeit not on a major show. According to Box y Lucha, Jerry Estrada was meant to be Dandy's challenger, but Kung Fu replaced him and won the belt. This match also features the first appearance on the set of Mascara Sagrada, an Antonio Pena creation and relatively well known wrestler from the 90s. He had been kicking around the independent circuit for about a decade before returning to Mexico City for another crack at the big time. Pena had retired from wrestling in '86 due to injuries and was working in EMLL's PR department when he came up with the "Magico" gimmick for his friend Sagrada. Sagrada made his debut as Magico on 10/22, tagging with Atlantis and Rayo de Jalisco Jr. against Los Hermanos Dinamita, however it was soon discovered that there was already a character by that name in Monterrey and that the wrestler who played him held all rights to the name. For a while, Sagrada was forced to wrestle as "El Hombre sin Nombre" (The Man With No Name) before Pena came up with a new gimmick for him in June of '89 -- Mascara Sagrada or "Sacred Mask." The gimmick was a play on the sanctity of masks in lucha libre, and it was this incarnation of the Sagrada gimmick coupled with the television boom that catapulted him to stardom. The height of his fame being the movie he made with Octagon in 1992, Octagón y Máscara Sagrada, lucha a muerte. Incidentally, watching this it may seem that Magico has two horrific botches in this bout, but the last time I spoke with Jose Fernandez about the bout he assured me that the spots weren't botched and that Magico's finisher was supposed to look like that. Go figure.

The only 70s stuff that's available is the UWA that was taped by Japanese television crews, mostly involving Japanese wrestlers. The best match I've seen is Fujinami vs. Ray Mendoza, the Villanos patriarch, from 1978. Some other stuff was taped like the match where Chicana lost his mask, but it's locked away somewhere in Televisa's fault.

I dunno if I understood you correctly, but the elimination match was the main event.

Some corrections with dates: Cien Caras vs. Siglo XX (4/10/87) is 12/4/87 Blue Panther/Sergio El Hermoso v. Super Astro/Solar (10/17/87) is 8/22/87 Jerry Estrada, Pirata Morgan y Hombre Bala vs. Atlantis, Alfonso Dantes y Rayo De Jalisco Jr. (Feb 1987) is likely 2/13/87 Satanico vs. Super Astro (10/84) is 10/14/84 Perro Aguayo vs. Sangre Chicana vs. El Faraon vs. Villano III (Elimination Match) (10/84) is 10/14/84 Sangre Chicana vs. Villano III (12/7/84) wasn't in December. I believe it happened in Nov.

Blue Panther/Sergio El Hermoso v. Super Astro/Solar (10/17/87) This was from Benjamin Mora's Tijuana based promotion, WWA, which along with Super Muneco's AWWA promotion in Mexico City and Carlos Elizondo's FILL promotion in Monterrey, was one of the major independent promotions in Mexico outside of the UWA. It attracted a large number of stars who worked for Flores, as well as unearthing future stars such as Psicosis and Rey Mysterio. Jr. The promotion's major venue, Auditorio de Tijuana, became known as the "Cementerio de las Máscaras" due to the number of stars who dropped their masks there, and it was also the site of some of the bloodiest hair matches of the late 80s. WWA also promoted in Southern California. In fact, this match is from the Olympic Auditorium in Los Angeles and the correct date is 8/22/87 according to the WON. Los Cadetes Del Espacio had broken up by this point with Ultraman busy losing his mask all over Mexico and Southern California. Solar and Super Astro still worked the indy circuit together with Solar II often filling in for Ultraman in trios matches. Later in the year, Solar and Astro worked this match-up twice in one day (in Aguascalientes and Colima) with Black Terry replacing Sergio el Hermoso. A 1987 version of the maestro matches that would take place thirty years later. The main feud here was Solar vs. Blue Panther. Solar was the UWA World Junior Light Heavyweight champion at the time this match took place, having beaten Panther for the title in Puebla on 5/25/87. Solar would have a brief feud with Satanico at Arena Coliseo that ended with a drawn title match on 1/22/88 before he dropped the belt back to Panther in Puebla on 2/8/88. Panther was a rudo at the time, but essentially what you're seeing is the chase from two of the best mat workers of the decade. Solar is a true lucha maestro and generally regarded as one of the finest wrestlers of his generation. Next year will mark the 40th year of his professional career and he remains an excellent worker at the age of 58. Solar was from Jalisco originally, and was born and raised in a small town called Zacoalco de Torres. He spent most of his childhood milking cows and working the fields, and his original inspiration for becoming a luchador was traveling to Arena Coliseo Guadalajara and seeing the likes of Solitario, Rene Guajardo and Angel Blanco thrill audiences. Like most of the era's brightest talent, Solar trained under Diablo Velasco, a man whose mystique rivaled that of the biggest stars. Solar ranked among Velasco's finest prodigies and bought into his training completely, believing wholehearted in Velasco's mythos of professional wrestling being a sport that required physical and mental conditioning and precise knowledge of the rules and regulations, as well as the "castigos," or wrestling holds. Velasco would draw parallels to "pancracio" (the ancient Greek sport of Pankration, which was like a mix of boxing and wrestling), and all of his students trained in what was loosely referred to as "Olympic" style wrestling (i.e. amateur wrestling) with many of them becoming outstanding mat workers; some of them among the best of all-time. Solar was special, though. Even Velasco had pause to tell Box y Lucha reporters that he was amazed by the things Solar managed to show when he was just starting to train at the Coliseo gym. Solar initially wanted to do a type of executioner gimmick where his face was covered by an axe, but while training under the sun in Guadalajara the idea of the sun came to him and the Solar gimmick was born. Solar enjoyed success right from the get-go. He arrived in Mexico City in 1976 from Monterrey where he had won notoriety for his extraordinary abilities, and caused a major upset when he beat Villano III in two straight falls and without disqualifications for the UWA World Welterweight title in May 1977. Villano had been on an impressive winning streak to that point, and Solar proved the upset was no fluke by successfully defending the title against Fishman in a match El Halcon called the most spectacular match-up of 1978. Flores then booked him in a successful apuesta feud with popular independent worker Dr. O'Borman to cap 1979, promoting Box y Lucha to proclaim: "his name is Solar, and it truly seems he could be the center of our universe." More success followed in 1981 when he took the National Middleweight title from Cachorro Mendoza at Arena Coliseo. Defenses followed against both Satanico and El Faraon before Satanico claimed the belt back for EMLL. During the next few years, the magazines pushed him as a contender for another world title. Then, for some reason, Solar's career cooled off with the Los Cadetes Del Espacio run and he never fully delivered on the promise that Box y Lucha saw in him. He forged out a respectable career, but instead of becoming one of the big names of the early 90s, he continued to work pretty much the same way he had in '87, working El Toreo and the indies with the occasional appearance at Arena Coliseo or Arena Mexico. Later on, he had a run in AAA where he again feuded with Panther as El Mariachi. He was then part of the group of workers who jumped to CMLL where he was used on the undercard as a veteran hand to guide young workers. In the early 00s, he began working regularly with his former UWA contemporaries on the indy circuit, developing a style of working we would later dub "maestro matches." In particular, he had tremendous chemistry with Negro Navarro and the two honed a type of touring maestro match which they've performed all over Mexico and as far abroad as the US, Japan and Europe. Due to the dearth of footage from Solar's prime, this maestros work has done a great deal to enchance Solar's reputation as a worker and has been a terrific coda to his long career.

Mogur vs. As Charro (Mask vs. Mask) (9/18/87) When you get to this point in the discs, you're probably thinking "who is Mogur?" Mogur was a young wrestler from Jalisco named José de Jesús Pantoja Flores. He'd only been wrestling for a few years when he caught someone's eye enough to be repackaged as the masked gimmick, Mogur, 'El Gato Egipcio' (The Egyptian Cat.) EMLL's interest in Mogur didn't end there, though. Coming out of the 1986 Anniversary Show, the promotion decided it was time to push a hot young star. The company's modus operandi has always been to push a new young star every few years, either by debuting them on top or giving them a fast promotion to the top of the card. They did it with Atlantis in '84 and again with Mogur in '87. There were a number of parallels between the two pushes with veterans Talisman and Satanico being used to give both wrestlers credibility, and both wrestlers winning masks on the company's Anniversary Show. Unfortunately for Mogur, Charro wasn't the biggest of names at this point. A journeyman from the 70s with a Valente Perez gimmick, Charro's body was completely broken down by '87. In his prime, he had apparently been a big bumper, and created his own signature kick, the 'Patada Charra.' His gimmick, like most of Perez' creations, was a fun one, and his rough style had earned him the nickname of 'El Regional Rudo' after he made it to Mexico City. As fun as these photo shoots are, Charro looking for a last big payday didn't give much of a rub to Mogur. Certainly not as much as taking the masks of Talisman and Hombre Bala had done for Atlantis. Thirty years later and Atlantis is a legendary gimmick while Mogur is a guy who most people don't know despite the fact he worked for CMLL for another 20 years. Charro lasted a couple of more years for the promotion, lost his hair to a green Konnan and feuded on and off again with Pirata Morgan on the indie scene. Not bad for a washed up character gimmick.

The 50s is the best decade for film, but everything up to the 60s is good. The drop off starts during the 70s, IMO.

El Hijo del Santo vs. Negro Casas (Mask vs. Hair) (7/18/87) This is the most well known lucha match of the 80s and was included in Jeff Bowdren's Top Matches of the 80s in the 1989 WON Yearbook. "This was a Hair vs Hair match that without any local television, drew more than 7,000 fans to the Olympic Auditorium," wrote Bowdren. "More than either Ric Flair or Hulk Hogan, both of whom were appearing in Los Angeles regularly at the time, had been able to draw. Many people who were there live swear this was the greatest match that they ever saw." It's difficult to find any information about what Negro Casas was doing in 1987, but legend has it that two weeks before the match there was a trios between Misioneros de la Muerte vs. Santo, Casas and Black Shadow Jr. which started the angle, and a week later there was a Super Libre double juice brawl with Casas vs Santo, which was supposed to have been even better than the mask vs. hair match. Casas and Santo were rivals right from the outset of El Hijo del Santo's career. In fact, it was Casas whom Santo defeated for his very first title when he claimed the UWA World Lightweight title on 10/28/84. Casas would chase Santo for the title for the next five years before feuding with Santo over the UWA World Welterweight title in the early 90s. The pair wrestled each other countless times across Mexico, but to the best of my knowledge the other time Casas beat Santo in a title match situation was in 1995 when he beat Santo for the vacant NWA World Welterweight Championship. As many of you will be aware, the most famous chapter in their rivalry began in 1996 about a year after Santo jumped to CMLL. Casas had just turned technico and someone in CMLL came up with the brilliant idea to shock Mexico City by turning Santo heel. Business went through the roof, leading to their famous hair vs. mask match on the 64th Anniversary Show, a decade after their LA match. The 1997 match is considered one of the great matches in lucha history and a must-see if you haven't seen it. A long, drawn out face turn followed for Santo, and the two wound up becoming tag partners in a feud against their former rudo partners, Bestia Salvaje and Scorpio Jr., which led to another famous 90s apuesta match where they took each other on in a rare double hair/mask vs. hair/mask match. Santo's disputes with CMLL over money eventually ended the rivalry, but not before the pair had delivered over twenty years of classic lucha libre.

Cien Caras vs. Siglo XX (4/10/87) Luchawiki has a 4/12/87 date for this, which is itself a typo as the match actually took place on 12/4/87. EMLL would usually have a double bill of apuestas matches on the first Friday in December, which more or less served as their year end show. In 1987, they ran a hair match between Irma Aguilar and Rossy Moreno and a mask match beween Caras and Siglo XX. The women's match was actually quite significant as women's wrestling had been banned in the Federal District from the early 50s until the end of 1986. In the early 1980s, the Nacional de Luchadores, Referís and Retirados (National Association of Wrestlers, Referees, and Retirees) began working on a repeal on the ban on luchadoras, which they were able to push through when the Comisión de Box y Lucha Libre Mexico D.F was restructured following the death of Luis Spota, who had been president of the commission since 1957. Apparently, during the course of the repeal, the NLRR union discovered that the commission had never been granted legal authority and that lucha libre had no binding regulations. That greatly loosened the commission's control over lucha libre and by the turn of the decade lucha would be back on television in the Federal District and essentially under the control of Televisa. From all accounts, women's wrestling enjoyed a surge in popularity with its return to the capital and there were several apuestas matches at Arena Mexico in the late 80s starting with Pantera Surena vs. Chela Salazar in June of '87. Anyway, back to the match. Siglo XX was the brother of Enrique Vera and had a reputation for being a terrible worker, kind of like the Sicodelico to Vera's Mil Mascara/Dos Caras. He'd come up through Guadalajara and won a couple of local workers' masks, but really hadn't done anything special. The match was set uo in the usual way with trios matches such as La Fiera/Siglo XX/Villano III vs. Caras/Mascara Ano 2000/Sangre Chicana the week before. More noteworthy than the match itself was that a month after he unmasked, Siglo was back under a hood at El Toreo, this time as 'El Asesino de Bronx' The Killer. Luchadores aren't supposed to change masks quite that quickly, but as I mentioned the commission had lost a lot of power by this stage. Billed as two meters tall, to hide his identity he dyed his hair blonde and rumours spread that he was American. The Killer was a regular with the UWA until they closed and was a three time UWA World Junior Heavyweight champion. He feuded extensively with his brother and for a number of years the UWA teased a hair vs. mask match between the two. Later, he had runs in both AAA and CMLL and he continues to work the independent circuit even now.