|
|
Greetings, lover of all that is good and true in pro wrestling. You know the tip we've been keeping it on and this time out we're even deeper in the ilk. Phil brings the blood and barbed-wire with the latest prized Big Japan Honma/Yamakawa bloodbath, Rippa brings the Euro-Indie-Trash, Fat Tony goes on about our Wrestler of the week- the beloved Midnight Express, and I continue my journey into the Dramatic Dream. Naimark pipes in with the fat ass review SANS HOT BRAZILLIAN BABES(!) of Vale Tudo 1996 and Pete and Ray are working themselves to death this week. Moisten your lips and plant a big one on RIIPPPPEEEEEEERRRRRRR!!!
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
$%$%$%$%$%$%$ UWA "Wrestling Rampage"
- September 1999
(PHIL RIPPA)
This follow up to Schneider's review of this
already cancelled English TV program. This is supposed to be the month
before the shows that Phil reviewed but UWA is all about fucking with chronological
order so things are all messed up. Hey, it's like a true U.S. indy. To
Hell with continuity, I say.
SHOW ONE
Big Pappa T vs. Frank/Unknown Soldier:
Big Pappa T brings the hot valet and nothing
else. His contribution to this federation is his S&M outfit and his
weird shuck and jive dance step that he performs more times than Mark Lawrence
ever said "Modern Day Warrior". Frank is supposedly an old Army buddy of
T and he claims that this T is not the real T. He is going to unmask him
and prove to the world that he is a fake. The match turns into a handicap
match for no other reason than Frank, who does Bischoffian level karate
kicks, is WORSE than Big Pappa T- so the Unknown Soldier is in to shoulder
the load. Fine with me as the Soldier proves that he is willing to die.
He is all about the highspot. An over the corner tope con hilo. A missile
dropkick. A jumping headscissor takeover. Hey, all he needs to learn now
is psychology. And transitions. And selling. And how to apply a headlock.
Lean on the fast forward. T wins. Frank is never heard from again.
Mad Dog MacPhie vs. Leon Murphy:
Mad Dog is soooooo the guy who rotates the chips
at your local convenient store while Murphy, who delivered the classic
"I'm not a pretty man" speech, isn't very good with the wrestling skills.
The thing about this match is that
someone forgot to tell Murphy that wrestling
was fake as he pummels MacPhie with some UFC style strikes. It is also
fairly obvious that Murphy is on the Mark Shrader condition plan, for he
is blown up after two minutes. Unfortunately for we the viewers, the match
is a lot longer than that. Next.
~!~
Sometime during this show, they have a pre-taped
segment with the senior official. This guy looks like he walked straight
off the set of Thunderbirds. Anyway, he explains some rules regarding the
upcoming matches. He pops up a couple more times during the next few shows.
~!~
Stevie Knight vs. Flash Barker:
Sports Entertainment moment. Knight is supposed
to defend his TV title against 100% British Beef Danny Royal. Knight refuses
and instead claims he has found a better opponent, Flash Barker. Barker
is of course a fat slob who waddles into the ring and loses in about 30
seconds. In fact, he was defeated with a snapmare- which is sad in and
of its self. Well, Royal still wants a match. Knight claims that he has
already defended his title as mandated in his contract. Blah, blah, blah.
Long story short. They agree on a non-title match.
Stevie Knight vs. Danny Royal:
Stevie Knight is one of the quality workers in
this fed. Royal is master of the 100% tiny pants. Plus, he isn't very good.
Knight tries to corral in Royal but not much comes of it and, since this
is a non-title, we already know what the outcome is going to be. (If you
don't, then you really haven't been watching that much wrestling. Good
for you having a life.) Royal goes over with possibly the sorriest looking
full-nelson slam- called a "Beef Bomb"- ever to be performed in a ring.
SHOW TWO
Flash Barker vs. Kerry Cabrero
- British Bouncer Match:
These two have issues and since there hasn't
been a decisive winner yet, this match was booked. The idea of a British
Bouncer Match is that works like a reverse Lumberjack match (keep guys
from interfering instead of running away.) Each wrestler selected two wrestlers
with the condition that the bouncers couldn't be Stevie Knight or Phil
Powers. Barker, because he is an idiot, selects Big Pappa T and Danny Royal
while Cabrero, because he too is an idiot, picks Mad Dog MacPhie and Drew
MacDonald. If you ignore the usual nonsense that applies to a lumberjack
match, this affair is actually quite passable. Barker proves that he watches
a lot of WWF tapes. He does Shamrock's ankle lock, the crippler crossface,
the bronco buster and his finisher is the Michinoku Driver (which actually
is fairly good looking). Cabrero is a good little heel and he breaks out
the dickish dropkick to the testicles in this match so I got no problem
with him. Barker goes over clean which was kinda surprising since it seemed
that this match was destined to be a big screw job. No complaints.
Jodie Fleish vs. Paul Terrell:
This is probably the best match of the entire
three shows. Terrell is one half of the tag champs, Too Far Gone. Flash
is the reason we get these shows. I dig the Doc Chan signs in the crowd.
Terrell is a decent little worker and- as per usual- Fleish tries to cripple
himself by over-rotating on everything. Cool moment as Fleish busts out
the off the wall moonsault to a big pop. Fleish manages to pull off a Shiryu
roll while Terrell is all about powerbombing Jody is as many possible ways.
Terrell pulls Fleish up on a pin attempt so we all know how this is going
to end. And, true to form Fleish gets the fluke roll as Terrell celebrates.
Fleish gets punked out by the champs for his troubles. Good match.
Anarchist Doug Williams vs. Mad
Dog MacPhie:
The story is that fat American heel manager,
Steve Linsky tried to sign Williams. Williams said no. Linsky releases
his stable, which consists of MacPhie, MacDonald and Johnny Storm, on Williams.
The story is that if Williams beats all three, Linsky leaves the UWA. Williams
can go but this series of matches doesn't show it. MacPhie crotches Williams
on the ring post until he gets DQed making the match time about 15 seconds.
Anarchist Doug Williams vs. Johnny
Storm:
Storm is the WAY! He opens the match with a Merosault
and a split-legged moonsault and I am digging it the most. These two rip
it up for about four minutes with Storm busting out about every move in
his aerial offense. In a moment of mass delusion, Williams even hits an
OLD school tope. A Lionsault later and Williams is two down and one to
go. Linsky freaks out on Storm and slaps him which turns the entire stable
on him. They walk out and Williams wins to banish Linsky from the UWA.
Blah. I hate Sports Entertainment.
SHOW THREE
To Far Gone vs. Jody Fleish/Big
Pappa T vs. Johnny Storm/Mad Dog MacPhie:
Terrell's partner in crime
is Steve Morocco. They also have the World's Greatest Tag Titles. These
things are just a giant skull and crossbones with chains attached. The
story is that these are the belts that the former champs the Death Squad
made. The Death Squad is also pissed at To Far Gone because with the help
of Ian Harrison, (another wrestler with amazingly tiny pants) they took
their women. So this match has all the hot valets at ringside. Poor Jody
is paired with one of the worst wrestlers in the history of tights. Amazingly
enough, these two are former tag champs. The match is decent because MacPhie
and Big Pappa T never get in the ring. The parts with Fleish and Storm
are the best. The ending is weird as it comes out of nowhere. Fleish and
Storm go for springboard splashes, collide in mid-ring. Terrell comes down
with a splash and pins both. Total match was maybe four minutes.
Phil Powers vs. Paul Sloane - No
DQ:
This would be the finest example of the weird
chronological order of the UWA. If you read Schneider's review of the October
show, then will remember that these two were teaming up. Well, in the video
package recapping the breakup between teacher and student, they show highlights
of the October match. Mind you, that it is still September. Oh well. As
I mentioned, this the standard neglected student turns on teacher fare.
Powers is the teacher. Sloane is the student. Neither is very good. The
no DQ stipulation is just an excuse for the two of them to wear ill-fitting
jeans and hit each other with an aluminum can. Bad, bad match. Powers wins.
Now, begone from my TV screen.
Anarchist Doug Williams vs. Danny
Royal:
Well, somehow Royal managed to parlay his TV
non-title win into a shot at the Heavyweight title held by Williams. Boy,
Royal really isn't good. Short match that has the least important ref bump
ever. Ref gets hit accidentally. Royal hits bad "Beef Bomb" #1. No ref.
Royal hits bad "Beef Bomb" #2. Ref recovers but Royal only gets two. So
Royal hits bad "Beef Bomb" #3 and gets the win. I can see how this match
really build up Williams for his match with Christopher Daniels.
This month's batch was nowhere near as good as the last batch we got. I think the fact that Daniels and Tiger Mask IV were on the other tape might be a big reason for that.
| RESEARCH NOTES FOR DDT 9/30/1999:
GREETINGS! This is your lecture notes for the sleazarific DDT handhelds. I've deleted the guys who were Identified on the Junior Tourney tape (reviewed in the much-heralded, thoroughlt beloved DVDVR #114.) *from 4/99. Item #1: TAKAI is the fuzzy little gamara boy with the parachute shorts that is another in a long line of pseudoBattlARTSIANS that permeate the Japanese indies like be-mulleted bleach blond make-up wearing roided-out fat boys permeating US Indies. *info garnered from 10/27/99 matchlist (not reviewed today. Maybe in #116ish or so. Unless I get some BattlARTS or Big Japan in. Or more GAEA. And that TORYUMON is sitting RIGHT here,) -ITEM #2: Tsunehito Naito- no-selling, no-neck beefhead. WAR heavyweight without the grace and charisma. Could definately work for the US big two because he is sporting the giant rack... oh wait! -ITEM #3: Yuki Nishino- mullet reminiscent of Hollywood bob starr, bad blue and red singlet and is need of a wispy moustache to totally get that "COPS in Tokyo" feel to the look. Decent enough little worker though. -ITEM #4: Phantom Funakoshi- It's Shinjiro Ohtani's older brother Buddy. HE'S A PHANTOM! wears the towel around his neck like Inoki or maybe he is fan of the Hands of Stone, Ronnie Garvin. Phantom is a mystery wrapped in riddle ... -ITEM #5: Teneichi Kacho- Tie-wearing comedy guy who is more pathetic than funny- which means he REALLY sucks because I- personally- love horrendously crappy Indie get-ups and amazingly stupid gimmicks. I mean c'mon. I'm an idiot when it comes to that kinda stuff. -ITEM #6: Mitsunobu Kikuzawa- johnny Grunge guy from the Junior Tournament and he's losing altitude everytime I see him, as he isn't that good when not in with Makami or ONRYO. I think he is affiliated with Moebius, which would make sense. yeah sure... -ITEM #7: Shigeo Kato- looks like chonocito. this was the cigarette guy from the Moebius homepage. The chick with these guys isn't Mita and I can't place her. Maybe Miss Mongol has put on some weight. I'm gonna say "YES, it's Miss Mongol." -ITEM #8: Poison Sawada- looks very Ace Frehleyesque, patriotic pants. Decent enough little worker, one would surmise from footage viewed. ITEM #9: Yasaku- lumpy bleached Indie Kojima admirer. A whole lot of lariats. Actually on the brink of good. ITEM #10: Super Rider- GREAT emerald green bug mask, can't do body slams, sloppy as hell with pro style, surprisingly good at shootstyle. If he gets better a little and GETS ON THE JUICE, he and Asian Cougar would be a viable tagteam- because their tag matches are good up to the point where Super Rider's Pro Style shortcomings make the whole thing STIIIINNNKK. ITEM #11: Daisaku- Blue pants kickerboy. He's actually really good for being one-half of the erstwhile Nagano Cream Team with Yasuku. He'll kick ya right in the face and ya gotta love that. I think this guys has wrestled in IWA RESTART, because he looks familiar. ITEM #12: NiHao- mini Mutoh or AAA Fujinamicito Jr. Pants are very memorable. ITEM #13: Koichiro Kimura- no selling shooto guy who I thought was Masahiko Orihara. This guys will go far in my book if starts selling more. Kicks like a real motherfucker and his matches are all pretty chaotic and worked-shooty superstiff- like Hashimoto vs Ogawa reenactments every match. Folks end up looking legit pissed by the time it's over so it's FUN! ITEM #14: Masahiko Orihara: Great mask and hair. Tags with the far more memorable Koichiro Kimura. These are the 14 newly identified Indie wrestlers.
Anyone else, I'll just write what it sounds like when the ring announcer
makes with the introductions. WHOMP ASS!
|
On the other hand, Kurakage gets the call from
the DDT brass saying that everything is filled up on the card and that
all that is left is a comedy match with that tie-wearing guy.
%%%%%%%%%%%%%%%%%%%%%%
KUREKAGE:I am a serious wrestler who has worked
hard to make a name for myself in the indies. Why should I wrestle
this buffoon?
DDT: C'mon bill. It'll be funny.
He's got spirit and he does those funny comedy skits and that hilarious
out-to-lunch tie-straightening PEOPLE'S ELBOW! Have you seen it? It's TREMENDOUS!
KUREKAGE: Fuck that shit. Can I beat him
to within an inch of his life at least?
DDT: No no no. It's a COMEDY match.
Wear your suit, he'll dropkick your coat when you hang it in the corner
and then you get MAD! and then you win in two minutes. C'mon Bill.
We swear- Asian Cougar or Mikami next time. We just got overbooked,
but we still need your magic, Big Man.
KUREKAGE: Jesus, man, I'm above this shit.
Who is Sasaki working?
DDT: Takagi. It's booked solid. C'mon Bill,
$40 is $40.
KUREKAGE: I want free drinks and dry-cleaning.
He fucks up my suit and I will rip that little motherfucker's soul out.
You got my word THAT.
DDT: Take it easy, Bill. It'll be fine.
%%%%%%%%%%%%%%%%%%%%%%%
Kurekage hangs up the phone and thinks about
his career. How will he ever get ahead doing shit like this?
Between this, Onita and that freak at IWA booking him for matches, he was
deeply looking at becoming the world's most talented obscure middle weight,
a better version of Takeru or the tallest Battle Ranger ever. Depressed,
he takes his suit out of the closet. It was double-breasted because
he remembered how cool Bryan Ferry looked in a double breasted suit when
he went to see him at Budokan on the Slave To Love tour. He looked
in the mirror to make sure it still fit him. It had been a while since
the last wedding he had attended (Yumi's wedding floods his mind- baby's
breath in her hair, in white lace off-setting the stark black hair that
circles around down to her shoulders, goddess-like, forever out of reach
from then on). He was surprised at how good he looked in it- it made his
shoulders, that were already broad in relation to the rest of his trim
body, look even broader. The suit made him feel important and big league
and not just a muscle boy thug- like a suit would make Joe Frazier or George
Foreman look back when he was a child watching them on TV. Kurekage
had pretty and fragile dreams that he acted out in his mind when he first
tried on the suit- dreams of wearing it to press conferences to announce
voyages to wrestle ECW in America or to announce a heated blow-off against
Shinzaki in FMW. those dreams seemed foolish to him now as he thought
about taking it the ring to play straight man to a weekend warrior with
an unfunny comedy gimmick- and he was truly sad and broken in his soul.
##########################
KACHO: It is an honor to represent the office
workers of Japan in an athletic Sports Entertainment exhibition against
an opponent as formidible as yourself.
KUREKAGE: Yeah that's really great. Get
your spots in quickly and keep you knees flat in case my Moonsault goes
off center. And if you mess up my suit, I SWEAR that I'll rip your
motherfucking throat out and show it to you.
KACHO: Jesus, Bill. What the fuck is your
problem tonight?
KUREKAGE: Shut the fuck up- Just don't fuck up
anything out there!
KACHO: Bill, I'm hurting here. I bust my
ass all week getting in shape and working my day job too, looking forward
to this ONE thing....
KUREKAGE: Goddamit, look....Hmmm... I'm sorry,
Teneichi. It's..it's nothing. I'm sorry. C'mon, let's
give the folks a show and have a couple of laughs. It's been a long week
and I've had a lot on my mind... hey, c'mon fuck it, let's go out there
and have a match...
KACHO: Hey, I'm here for you, you can always
talk to me.....HELL YEAH! Can you SMELL what the KACHO is COOKIN'!?!
Kurekage sells Kacho's offense and gets into position
to set up the clown's awful, business-exposing spots. While laying
down to set up the missed knee-drop spot, Kurekage thought about how his
suit now felt like a cocktail dress and how his homage to Hayabusa mask
suddenly felt like cheap mascara on his face. Kurekage hits his moonsault,
gets the pin without messing up the cuff of his pants, puts on his coat
and enters the night...
--------------------------------------------------------------------------------------------------------------------------------------------------
I usually don't mention this kinda stuff because I'm SOOO all about the workrate and shit, but they have this foray into sports entertainment that will make you blow the Fresca out of your nose like a light-tasting, citrus-flavored nasal geyser- as the leader of the heel stable that is bedeviling Stone Cold Takagi comes out with this EVIL MOEBIUS AMAZINGLY SEXUALLY QUESTIONABLE DANCE-TROOP and they do the most elaborate dance routine to ever grace a mere wrestling card. Fosse-esque in spirit and spunky show-biz drenched flourishes; Merce Cunningham-inspired in it's erotic, entangling, sweeping gestures; and Twyla Tharpian in it's hip, odd, repitious hand gestures. All performed by five long-haired pseudo-Eurotrash Warm Leatherette Boyz. It seems like it would last forever but you wish it would never end. It's really elaborate and fruity. Welcome To Japan, MotherFucker.
THEN Takagi does this angle where he gets the
drop on Kimura- who tried to kill our Stone Cold/The Rock PuroresuCONGLOM
Called Takagi with the world's most hideous armbar (as seen in highlight
form on the DDT Jumbotron). The Kawasaki RattleSnake and meanest SOB in
DDT poses as SUPER UCHU POWER! and springs on Kimura after an endless rambling
STICKFEST OF EVIL which was twice as long as the disturbing dance number.
The sweet embrace of a fast forward should be utilized at numerous non-dancing,
non-unmasking sections of this epic section of SKITS!
(possibly) LOW-AHHH Ran-gAHHHH/
Mitsunobu Kikuzawa/ Shigeo Kato vs Phantom Funakoshi/ Poison Sawada/ Tsunehito
Naito:
Poison is actually famous in super freaked Japan
Indie Fan Circles because he wrestled a glass and COBRA and sumthin match
against a mummy once and I hear it was the worst match ever to make it
onto an Internationally traded handheld. I haven't seen it, so it
may have been quite a Transcendent Foray into some sorta shit, so who knows.
As for your boy, Poison, in this match- I can't help shaking a feeling
of a young Sam Houston- OOOOOOHHH YEAH! PHANTOM is Ohtani's older
doppelganger and he hits a nice suplex and that's about the end of the
Ohtani resmblance past physical appearance. On the upside, Phantom
isn't NEARLY as annoying as Ohtani and actually apes Ohtani's perfect dropkick
pretty well. Naito is a real tazmaniac- as he no-sells and SHOOTS
into submissions, his magnificent breasts heaving in shootstyle grandeur.
Kikuzawa acts scared of him and runs to tag out; thus Low-ahh ran-gah is
his first submission victim to succumb to the workings of Naito. Shigeo
Kato takes him to the mat and looks competent on the mat (remember that
Moebius founder Orihara has had numerous side-hurtingly funny forays into
shootstyle, so I have no idea where THIS would come from...). Kato reminds
me of a Japanese indie version of JUNGLA but with a cool brainbuster and
swanky toprope elbow. I think I'm falling in love.... ANYWAY, I'm
guessing that RIIN-GAHHHH is Kendo Nagasaki's fourth or fifth bastard son
to permeate the Japanese Indies- as I guess Nagasaki brandished the Kendo
stick quite a bit back in the day- if you dig where I'm going. He's
all Old SChool heelish and he and Kikuzawa bring the STORY OF THE MATCH-
where Kikuzawa is afeared of Naito, so Rin-gah helps the Grunge-like Mitsunobu
cheat to win! and IT'S FUN! After a while, Phanton and Naito clean
house- Phantom with a comically low altitude Missile Dropkick and Naito
with a nasty German- all so Poison can apply the seedy indie cum
Lucha proposterous submission on Kikuzawa and we call it a match.
I think I love all these guys, but not because they are really good or
anything.
Yuki Nishino/ NiHao vs Super Rider/
FromIWAJapan Sho Yuuukeeee!:
This match was a weirdly good match that got
REALLY cool by the end. Sho Yuki is a big youngster who looks a lot
like pre-gassed Nakanishi- and who is luckily better in the ring than the
former Kurasawa. Nishino has the crappiest redneck mullet in allll
of Japan, so he's definately got that "something" going for him. Plus he
can work. Super Rider is quite problematic at this point. He and shootastic
NiHao kick each other really hard and go to the mat early and often.
It's good because Super Rider looks great flying into kneebars and Cross-Armbreakers
because there is nothing cooler than a guy in green insect mask going shootstyle
on your ass. He stays in kicking mode in this and thus this match
is good- as opposed to other DDT matches I've seen him in, where his horrendous
weakeness at pro style ruins matches. Yuki brings the biggest highspot-
a running Senton off the apron set up by Rider's Maeda's RINGs MORTAL~!
The ending is all elaborate as Nishino, SuperRider and Nihao do this intricate
set up to get to the "Nishino lariats Nihao- BY ACCIDENT" spot and THEN
there is an even more elaborate finish when Nishino and Super Rider do
a super-extended bunch of reversals to get Super Rider to the point of
procuring the Crucifix for the pin. Okay, maybe Nishino actually
RULES it from an elaborate lucha mindset point of veiw. Yuki was
really impressive for a scummy IWA punk I had never seen and who doesn't
even exist on ANY of the IWA matchlists I was trying to steal information
from. NiHao and Super Rider looked good from a kicking and submission
perspective, but NiHao's selling is WAAAY pedestrian and ungood.
You should prolly keep an eye on all these guys though for a myriad reasons:
Nishino because he seems to make thoroughly shitty indie six-man throw-togethers
become cohesive and watchable; Yuki because he seems to have a future in
this sport if he gets past the Brian Lee level suck-ass elbow drops, because
he's big enough to make a Puroresu dent; and Super Rider and NiHao because
they kick really hard but have big Pro Style problems to overcome.
Takashi Sasaki vs. Sanshiro Takagi:
This match was really motherfucking good. Maybe
Doron Diamond was right and Sasaki is the real deal of DDT- as opposed
to Makami- because Sasaki looks like quite the Ikeda Lite to Tagaki's poor
man's Ishikawa and Sasaki makes it all riveting and shit. This match
starts out on the Great Motherfucking Match path but gets slightly sidetracked
by a couple of factors to bring it back to earth. It starts out with
each really beating the living fuck out of each other with big kicks and
chops- with Sasaki going MEMPHIS on Takagi by insertting kicks where the
Lawler punches would be when getting the offensive transition. It
gets derailed when Takagi basically sells an endless ass-kicking by Sasaki-
highlighted by Sasaki's breath-takingly dick-like powermoves: the running
Northern Lights Bomb, the Ontological Argument for the Existence of the
Destiny Hammer, and my personal fave- the jumping knee right to your motherfucking
face. It's smart booking because they seem to be setting up Sasaki,
Takagi and Yoshida against Kimura, Kikuzawa and Kurakage- which would be
balls out. But it's still just a way to get Sasaki over more, as
opposed to having a really great match, which these two seem to have in
them. Or Sasaki does anyway. Takagi is pretty limited offensively,
but he does the cool 2 and 8999/9000 nearfall and does the BRAND NEW 9
56/57ths count stand-up for knockdowns. It was tricked out enough to work-
what with Sasaki's impressive arsenal and athletic ass-stomping and Takagi's
solid-but-unspectacular US Pro Style leanings. This is definately
worth looking for, but I'm guessing their definitive match is down the
road a piece.
EXCITING YOSHIDA vs. Koichiro Kimura:
Goddamn, well whaddyaknow, these two are actually
good. I've seen Exciting Yoshida matches and thought that he sucked the
throbbing blood-bomber at length- BUT then you see him outside of
the Onita Pro Scramble death matches and you realize that he is another
in the new wave of Japan Indie Puerto Rican Pro Style followers- falling
in line between the masterful PR-drenched stylings of Abby Kobayashi Jr
and the lesser stylings of non-deathmatch Ryuji Yamakawa. When all
these guys are accomplished and influential, Kendo Nagasaki will be known
as the Godfather of Neuvo PR Pro-Style when it sweeps pro wrestling, since
he is responsible directly or indirectly for instilling the PR mindset
in Japan Indie Wrestling. Either way, Exciting Yoshida works like
I think a young Masa Fuchi would have worked: procuring wrestling holds,
working the ropes, doing well-executed roll-ups, selling really well and
not stepping outside the boundaries of the psychology of the match.
Kimura sells more than adequately for Yoshida and that was going to be
the sticking point for me with the physically impressive Kimura- as I had
been put off by his lack of selling in the tagmatch that would happen a
month later. Either way, Kimura is all about the cool-ass submission
and the fat ass kicks- so I have to love him to a certain level.
Yoshida makes it a really good match by being wiley and fiesty and couteracting
the physical difference between the two- a difference that would not make
the match up credible any other way, I would say. In other words,
Yoshida can't match the strength, speed, or complete assholish ass-stomping
capabilities of Kimura, but he can surprise his undermatched opponent with
fast roll-ups and- actually- some really cool-ass reversals into tiny respites
of offense, all just killing time until Kimura gets Yoshida in the center
of the ring and puts him away. Pretty basic match from a storyline
perspective, but surprisingly good in execution. Postmatch, Orihara comes
out to align with Kimura and piss off Takagi, as DDT goes GAEA-like in
it's elaborate angles.
This tape is quality wrestling, but there is no match that blows the roof off the mutha. I liked it, but HEY! I'm a real freak. it's not amazing or anything, but I would definately recommend it.
!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!
YOUR WRESTLERZ OF THE MONTH: THE
MIDNIGHT EXPRESS!
$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
LOVERBOY DENNIS and BEAUTIFUL BOBBY VS a GALAXY
of JABRONES!-
[roody-poo squashes on the Superstation]-(TONY
GANCARSKI):
Intro: Yes, yes y’all. The Midnights are our
wrestler(s) of the week, and dadgummed if they aren’t important ones. They
were one of the last old-school tag teams, in the sense that they brought
impeccable psychology and story to their matches (think of the Andersons
without obvious heart conditions and AARP tattoos). However, what
made them so necessary was the fact that they brought the old-school to
the new school, paving the way for any number of teams. The athleticism
and innovation of the New Breed -- perhaps the 80s saddest footnote of
a tag team – wouldn’t have happened as it did if it hadn’t been for teams
like the Midnights making high-workrate, high-concept US Pro tag matches
a staple in the NWA. The Midnights were responsible for influencing
more than just 80s teams, however. You can see parts of their legacy in
any undersized but impeccably athletic team that wouldn’t have happened
without trailblazers like the Midnights, Rock-N-Rolls, Bulldogs and others
providing examples of how Australian Tag Team matches work.It's no stretch
to say that the careers of the Hardyz, Helms, and Moore owe a lot to these
old-school pioneers, just to mention a few. Perhaps the most important
thing about good tag wrestling, though, is that it thrives despite the
best efforts of Bischoffs and other dumbkopfs to kill it dead. Tag matches,
whether they be in All Japan, the WWF, or anyplace really but WCW, allow
mediocre workers to mask their weaknesses and good workers to look great.
They allow the crowds – markish, not too interested in intricate mat sequences
– to not lose interest in the art of wrestling, to not start chanting for
puppies and doing other garbage that entertains in a sporting manner. Tag
wrestling, in other words, educates crowds in a way most closely comparable
to what WCW Cruiser matches did in the mid to late 90s; fans dropped in
to buy the merchandise and left popping for wrestling that made sense.
So why the Midnights? Anyone who knows the old school will find that patently
obvious. And why their squashes? Because the measure of a great wrestler
or team is not how carryable they are (Rikishi Phatu got ****+ from Meltzer
recently), but how they carry, how they call matches and make matches make
sense. To get folks to watch a seven minute exhibition whose outcome wasn’t
in doubt has always been a rare skill, left to the most competent wrestlers.
Just as Ric Flair could prop anyone short of Giant Gonzales up for as long
as was necessary, the Midnights often could do the same thing. Rather than
look at their matches with seasoned, if unexceptional, workers like
the Road Warriors, Dusty Rhodes, etc., I felt it would be an interesting
exercise to look at how Eaton and Condrey made jobber matches into great
TV.
MIDNIGHT EXPRESS vs. THE ROCK (y king) &
ITALIAN STALLION:
We know that King worked his Afro like a roadie
for Ready For The World, and that Stallion was most definitely a poor man’s
Sal Bellomo. Still, this match matters. Watch as Condrey drags King through
a mat sequence, and as Eaton fronts like Rocky’s standing side headlock
actually hurts. Of course, I remember seeing Rocky as a world champion
here in Jacksonville on cable access in 1990; he feuded with a decidedly
bloated Budro and teamed with a copper-coiffed Ernie Ladd. The Stallion
bumps like Nell Carter of course, but even his relative ineptitude doesn’t
faze one of the three or four best US tag units of the 80s. Bobby sells
his pedestrian armdrags like a champ, and no one even messes up their mullets.
Textbook squash psychology, right down to the Cornette trashtalking when
Stallion’s being choked in the ropes and the "deliberate flouting of the
rulebook." A lot of rollups for two counts by the Midnights, and even a
hot tag for The Rock before he goes down to a secondary finisher, the Condrey
brainbuster.
MIDNIGHT EXPRESS vs. GEORGE SOUTH/PAUL GARNER:
South really kicked a swank mullet and stripbar
habitue moustache combo, and Garner was sort of a non-entity in the Techwood
Drive Pantheon of Jobbers, though it wasn’t for a lack of concentration
on aesthetic, what with his very slimming black singlet and all. Eaton
and Condrey work the quick tag and double team gambit, showing more moves
in thirty seconds (side suplexes, scoop slams, kneedrops, double underhook
suplexes, and so on) than many current headlining teams have shown in their
entire careers. They smacked South around like Def Leppard’s drummer did
Scott Keith when Netkkkop started licking his arm nub after he’d won a
Date With Def Leppard from MuchMusic, then dumped South into his own corner
for the cold tag to Garner. Garner gets his fat keester batted around for
a bit, then is the recipient of an authoritiative snap suplex from Loverboy
Dennis. Then South tags back in only to get slapped around like Andrei
Codrescu working a book signing at a hardshell Baptist church. This goes
on for some time, with Garner eventually jobbing to a missile dropkick
from the once-great Eaton.
MIDNIGHT EXPRESS vs. BILL MULKEY/BILL TABB:
Bill without Randy was like Cornflakes without
the milk. Mulkey is not working the bleachjob in this match. Tabb moves
like JYD without the agility. Disappointing squash, given that a Mulkey
was involved.
MIDNIGHT EXPRESS vs. an unnamed jobber/GEORGE
SOUTH:
This was from an episode of Worldwide, so there’s
a reasonably hot crowd. Here the ME’s have the tag belts. We all know what
South can do, and the match starts off with him getting an arm drag
and a dropkick and a flying headscissors in, which built his credibility
even though he was obviously the match’s designated heat magnet, going
Face In Peril pretty quickly. Midnights with quick tags and doubleteams,
as you’d expect, and they go over pretty quickly(Eaton, frog splash) .
This match was pretty mailed in, an obvious attempt at giving the rubes
a little something to heat up the crowd for a TV taping in Mouth
Cancer, NC or some such. Nice powerslam from Condrey a highlight of this
one.
MIDNIGHT EXPRESS vs. NELSON ROYAL/TODD CHAMPION:
This didn’t quite work for me. Nelson really
looked horrible, kicking and punching his way into my heart (besmirching
the legacy of the NWA Jr Heavyweight belt that he'd held some time before),
while Champion sort of worked that Cole Twins magic, punching like Sally
Struthers and bumping like Mary Tyler Moore during the series finlae of
her 70s sitcom (Ted Baxter whacked her but good with a kendo stick). Nelson
should’ve retired before TV was colorized and Todd’s only contribution
to the annals of professional wrestling history was jobbing clean to Ric
Flair in 1986 in Cirrhosis, South Carolina. Todd put the Man over. But,
um, he kept his heat….
%%%%%%%%% NATIONAL WRESTLING ALLIANCE-
Midnight Express vs Original Midnight Express- STARRCADE 1988-
(DEAN
RASMUSSEN):
I appear on a fabulous public access TV wrestling
show called Wrestling Power 2000 with Tim Noel and Punisher Tommy Rose.
Tommy- an all-around good guy and boisterous goofball- was late 80's NWA
enhancement talent and eternal Virginia indie worker after that, and he
was trained by none other than Randy Rose! So when the call was made
for the MX to be wrestler of the week, I was all about getting the Condrey/Rose
version 2B mine, so here it is. This is the big blowoff of the big
Midnights vs Original Midnights angle which led to the hideous feud between
Condrey and Rose which led to both falling off the face of the earth.
As I watched this match, it reminded me of when I watched this era in real
time. I would go through year to year a half periods of time when
I would give my liver a break and quit drinking for a while. It made
me feel healthier, helped me focus on being in my band at the time (Richmond
Rock pioneers- Flannel) and kept together my stormy relationship
with my equally neurotic/psychotic as myself girlfriend. The other
by-product of my forays into sobriety is that my addiction to pro wrestling
gets a LOT bigger (the final time I quit (accept for a couple of journeys
into sweet sweet booze) was a year before my first daughter was born.
675 wrestling tapes later....) I was kinda into wrestling as residual
affects of as lifetime of viewing, but the women and whiskey wouldn't let
me really get into it like I could have. The first time I ever quit
was after a major extended bout of drunken basic mid-80s college bacchanalia
from 1985 to mid-1987, I almost drank myself to death after playing a show
at the infamous Jade Elephant in Richmond- where an open bartab allowed
me to drink four pitchers of budweiser that I chased with a legendary stunt
of total stupidity of doing 5 three ounce shots of tequila in thirty seconds.
After waking up face down in my fireplace and being regaled about drunken
asshole behaviour which was becoming a norm, I hopped on the wagon for
a few months. after falling off the wagon and getting deeply
into a relationship with the aforementioned neuro/psychotic fellow-travelling
girlfriend after my prior girlfriend had moved back to California, I opted
to jump on the wagon again- pretty much for kicks- and quickly became
a caffiene addict- which made my new band (Flannel) the fastest pop band
in the world. The other by-product was that I was talking to a guy
that I worked with and told him that I was on the wagon and he then confided
to me that he was an actual recovered alcoholic and so we started talking
abourt stuff. He was from Carolina and mentioned going to high school
with Wahoo McDaniel's daughter and then we both realized that we both had
a history of wrestling fandom between the two of us, so we and few of my
other friends started REALLY getting into wrestling- he would tape all
of it and we would gather at his house on Mondays and watch it: all of
it NWA and all of it like this. NWA kicked WWFs ass back then because
this had no pretentions of production quality or mainstream acceptibility
or being on Carson or trying to branch out into the Entertainment Field
or any of that other bullshit a real wrestling fan could give a fuck about.
This was about Southern style ass-stomping with NO cross-over value or
market share possibility or anything. This match is all about that
feeling- a beautifully barbaric feeling of knowing that REAL wrestling
existed outside the realm of Hulkamania and the Honkey Tonk Man (one day
I will tell y'all the story of the day that I almost beat the shit out
of a yuppie at a party because he was talking about how great the WWF was-
because it was so funny with all their zany characters and that NWA was
that cheap looking crap. I can't remember why I allowed him to live.)
The greatest part about this match is Dennis Condrey. What a great
lost 80s Southern Ass-kicker. He is SUCH the guy coming off the backhoe
to beat the hell out of the subcontractor head foreman. Rose isn't
totally smoked in this, thus sparing him the "poor-man's Doug Sommers"
jokes that I had lined up for him if he sucked more than I remembered.
Actually, if he would have bumped bigger, I would have said that he deserved
a foray into the big time, but he comes up a little short- but it IS Bobby
Eaton in 19frickin88 so ANY and EVERYBODY gets carried by the Beautiful
One. Stan Lanes kicks are really lame in retrospect and Condrey was
twice the ass-kicker. Face facts, Bobby Eaton was a great worker
that would make any combination the best tagteam in the US. the fact
that the Eaton team was wrestling face, makes this less than the best of
possible worlds because the coolness of the MX was the fact that they re-invented
the heel role by being heels with a vast array of offense, THUS when Ricky
Morton would be beaten to death and Robert Gibson led the claps at ringside,
the MX were doing the coolest shit in the world in the ring to the hapless,
hot-tagging victim. In this match, Bobby is the victim and what you
get is Condrey doing the CWA Version of the Arn Andersen Heel Ass-Stomp,
so it's a very non-usual MX match dynamic. Condrey and Rose are pretty
masterful at pumping the last ounce of heat into the whole HEAT SEGMENT!
and it's pretty textbook how they work to the WAAAAAY screwy finish. In
the end, Randy Rose was deeply a cog in the Southern wrestling style and
I like the effort he showed here to not get totally smoked by the super-worker
and two good workers. In the end, Condrey is the one I wonder about-
the rest of his story and what he looked like in the ring other than in
the masterful match against Terry Taylor from Alabama that I saw.
Either way, here it is- another perfect example of 1980's Southern-style
Tag Wrestling- the style that allowed undersized real workers to work in
the US long before ECW was ever imagined and long before the WCW created
and destroyed their Cruiserweight Division. It's all really important
when thingking of all of it's effect on any wrestling in the US worth watching
in this day and age.
|
|
Bobby: Let's give the people a different insight.
Dusty, if you were
Guerrero, what would you be thinking right now?
Dusty: "I'd be thinking I lost alotta weight."
But then Dusty goes on a big diatribe about how Ohtani needs to drag Eddy "between the two W's, right on the Giant C" and go to the pay window. All in all, for once the three stooges didn't annoy me because the hype up the importance of the results of this match for both sides.
The Match: Short Version: Match of the Night.
Match of the Year Candidate.
Long Version: At this point in time, it is arguable
that Ohtani was one the top five wrestlers in the world. Eddy was
in Super Happy Face mode but he could still wrestle circles, squares and
rhombuses around most anyone. Ohtani has no problem picking up the
dickish heel quotient though as he is, IIRC, the only New Japan member
to draw the ire of the crowd on his own. These two were perfectly suited
for this match and for once the WCW yahoos, er... booking committee got
something right by putting this match at this juncture of the card. Guerrero
and Ohtani work the match from the point that they know this is a must
win match and therefore will do anything they have to to win. Which leads
to things like Guerrero hitting both Splash Mountain and a junior Ohtani
killer powerbomb. The Back and forth action is so good that it manages
to draw the Nashville crowd in as the action unfolds - see for all you
new wrestling fans, when you can get the dorks in the Hulkamania bandannas
to start popping for your match, you are good. One of my favorite sequences
is when Ohtani turns a Flair flip into a springboard dropkick and then
follows it up with a springboard plancha. Later on, he hits one of the
best looking springboard dropkicks that I have ever seen him do. The finish
comes on a series of roll-ups were Ohtani comes out on top on the third
one to get the win. The reaction from the crowd is great as they go from
elation to depression in the span of two seconds. Match probably would
have been 5 stars if the time constraints of the PPV hadn't shortened it.
- the Loud Family, "Rise of the
Chokehold Princess"
$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%%
| home |